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Almaqah, Ilumquh, Ilmuqah, Almouqah

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A moon-god and tutelary god of the ancient South Arabian kingdom of Saba, Yemen...

 

The members of the tribe of Saba called themselves 'the children of Almaqah.'

 

He is symbolised by a cluster of lightning flashes and a weapon which looks similar to the letter S...

 

However, on Almaqah being the sun god scholar Jacques Ryckmans states; "Almaqah was until recently considered a moon god, but Garbini and Pirenne have shown that the bull's head and the vine motif associated with him are solar and dionysiac attributes.

 

He was therefore a sun god, the male counterpart of the sun goddess Šams, who was also venerated in Saba, but as a tutelary goddess of the royal dynasty."

 

 

Supportive:

http://bit.ly/18xBA8x

http://bit.ly/1kf5Yau

http://bit.ly/19R2YsU

http://bit.ly/18Py1VP

http://bit.ly/1en39Uy

http://bit.ly/1hiAMVb

 

 

Bonus:

Bronze plaque dedicated to the god Almaqah

http://bit.ly/1hiAzBk

 

 

Post Image: http://bit.ly/1bNRFBN

 




Perses, Persês, Persaios, Persaeus

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Perses, son of the Titans Crius and Eurybia, is the Titan god of destruction. Not to be confused with the son of Andromeda and Perseus, or the son of Helios and brother of Aeetes.

 

Perses is the father of Hekate (Hecate) --his one and only child--by the goddess Asteria ("the Starry One").

 

It is argued that Perses was probably imprisoned with the other Titans, for participating in the war against Zeus and the Olympians...

 

 

Resources:

http://bit.ly/19l3Prv

http://bit.ly/1c18RDI

http://bit.ly/1a2kISl

http://bit.ly/1icIPGf

http://bit.ly/19889YI

http://bit.ly/1e3UPEL

 

 

See Asteria:

http://sco.lt/6462kr

 

See Hēlios:

http://sco.lt/5emCbh

 

See Andromeda:

http://sco.lt/7apjkH

 

 

Image adapted from: http://bit.ly/1hxmzUq

 



Axex

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The Axex, in ancient Egyptian folklore, is a legendary creature with a hawk's head on a quadruped body (possibly feline).

 

The muscular torso of the Axex is winged and bulky.

 

The skull of the Axex is adorned with three curved appendages which some researchers have suggested this to bear more than a passing resemblance to the crest of a rooster...

 

The Axex is often associated with the more well known Griffin...

 

 

Supportive:

http://bitly.com/1czEzg7 ;

http://bitly.com/KdIOno ;

http://bitly.com/1cMrfXk

 

 

See the Gryphon:

http://sco.lt/8lUlzl

 

 

Image adapted from: http://bit.ly/xay8Ps

 



Leucrota, Leocrocotta, Leucrocotta. Leucrocuta, Leukrokotta

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The leucrota is a a psychotic beast with a borderline sociopathic mindset from the Medieval era.

 

It is a a composite animal; a cross between a hyena-like luvecerviere beast and lion.

 

Pliny the Elder (Roman author, naturalist, and natural philosopher, as well as naval and army commander of the early Roman Empire) describes the leucrota as a hyena-like creature, which he calls "the swiftest of all beasts, about the size of an ass, with a stag's haunches, a lion's neck, tail and breast, badger's head, cloven hoof, mouth opening right back to the ears, and ridges of bone in place of rows of teeth—this animal is reported to imitate the voices of human beings."

 

There is often some confusion between the more wolf like Crocotta and the more lion like Leucrocotta and in some cases the two are looked upon as the same creature. Clearly meant to be two different types of animals, authors of bestiaries often mistook them for one another due to there alleged blood relation, similarity in name and there supposed ability to speak with a human voice.

 

Though this creature is shrouded in folktales and mystery it is often thought that the hyena may have been the bases for the Leucrota, however most researchers simply dismiss the creature as pure fiction...

http://bit.ly/19JjDPm

 

The leucrocotta is specifically mentioned in Jonathan Strange & Mr Norrell (the 2004 first novel by British writer Susanna Clarke), in the chapter "Leucrocota, the Wolf of the Evening", where the titular character names another person in the book as one, as a reference to his personality and lifestyle...

 

...Vocal mimicry...

Leucrotas speak in voices chosen to lure their target away, where they proceed to feast upon the still living individual...

“...And the man who has been called approaches…but when it has drawn him away from his fellow-workers and has got him alone, it seizes and kills him and then makes a meal of him after luring him on with its call...”

 

 

Resources:

http://bit.ly/1dpZGl1

http://bit.ly/19K9ogU

http://bit.ly/1apfU9R

http://bit.ly/1lB0tAA

http://bit.ly/19JjDPm

http://bit.ly/1eWAExe

http://bit.ly/1aphc4K

http://bit.ly/1hgSQlA

http://bit.ly/1cnjKju

 

 

Post Image: http://bit.ly/1eWCka5

 



Amala, Smoke hole, Very Dirty

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Amala is the Atlas-like giant of theTsimshian, Nass, Skidegate, Kaigani, Massett, and Tlingit Native American folklore.

 

According to a number of tribes, this culture hero, the world originally supported by an old man who took the weight on a pole balanced on his chest.

 

Amala was the youngest of several brothers, dirty and lazy but phenomenally strong.

 

The name Amala refers to his being very dirty and literally means “smoke hole.”

 

When the old man was dying, he sent for Amala who then took over the job of supporting the world-pole on his chest while it spins...

 

Once a year, a servant applies duck-oil to his muscles to relieve him.

 

The Tsimshian apocalypse tale tells of a time when all ducks will have been hunted to extinction.

 

At that time the servant will not appear to relieve Amala who will let the world fall from the pole and be destroyed...

 

Note:

There is a similarity between Cinderella and Amala in that both sleep in ashes and both are abused by their tribe or family.

 

The storyline of Amala - the despised member of the tribe who overcomes adversity and rises to be a hero among his people, may be a combination of elements of the downtrodden and derided hero or heroine, such as Cinderella, and the hero of the Atlas-type who dwells in the underworld...

http://bit.ly/1i8KUAc

 

 

Suppportive Resources:

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http://bit.ly/1gaus13

http://bit.ly/1i8KolW

http://bit.ly/1hpPEUA

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http://bit.ly/1lJkipz

http://bit.ly/1gAnV0D

 

 

See the Greek Atlas:

http://sco.lt/7Xa6dN

 

 

This image is for Amala, whils he is trying to carry the blue plent prior to adjusting it on an axis: http://bit.ly/1cSeDwc

 

 



Verbti, Shën Verbti, Rmoria

Pyrausta, Pyrallis, Pyragones

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A four-legged winged beast that dwells in the copper smelting furnaces in Cyprus.

 

It is percieved as a cross between a dragon and an insect.

 

Pyrausta has been seen flying through the air over the furnaces.

 

Similar to the Salmander, the Pyrallis cannot fly too far away from fire otherwise it will quickly die.

 

As such, the Pyraustae are demonic fire lizards from the lower planes, doubtlessly related to the salamander.


They embody the senseless, destructive and devouring aspect of fire, which they represent perfectly.

 

The Pyragones all come flying from the conflagration, breathing the toxic fumes as if they were the purest air.


They roar, burn and destroying everything in their path, hissing frantically as they do.


The Pyrausta is constantly surrounded by a flowing halo of fire and smoke...

 


Supportive:

http://bit.ly/1j8alFc

http://bit.ly/1d7NvIY

http://bit.ly/19vv96g

http://bit.ly/1d8g31s

 

 

See the Salamander:

http://sco.lt/7F3IYr

 

 

The image is of a pyrallis which evolved to feed on nectar!!!

http://bit.ly/1apX4jd

 



Gargoyles

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The term originates from the French gargouille, originally "throat" or "gullet"; cf. Latin gurgulio, gula, gargula ("gullet" or "throat") and similar words derived from the root gar, "to swallow", which represented the gurgling sound of water (e.g., Spanish garganta, "throat"; Spanish g‡rgola, "gargoyle").


It is also connected to the French verb gargariser, which means "to gargle."


The Italian word for gargoyle is doccione o gronda sporgente, an architecturally precise phrase which means "protruding gutter."


The German word for gargoyle is Wasserspeier, which means "water spewer."


The Dutch word for gargoyle is waterspuwer, which means "water spitter" or "water vomiter."


A building that has gargoyles on it is "gargoyled."



Gargoyles, many of them appear with wings, are said to scare off and protect from any evil or harmful spirits.


In Ancient Egyptian architecture, gargoyles showed little variation, typically in the form of a lion's head.


Similar lion-mouthed water spouts were also seen on Greek temples, carved or modeled in the marble or terracotta cymatium of the cornice.


Many medieval cathedrals included gargoyles and chimeras. The most famous examples are those of Notre Dame de Paris.


Although most have grotesque features, the term gargoyle has come to include all types of images.


Some gargoyles were depicted as monks, or combinations of real animals and people, many of which were humorous.


Both ornamented and unornamented water spouts projecting from roofs at parapet level were a common device used to shed rainwater from buildings until the early eighteenth century.


From that time, more and more buildings employed downpipes to carry the water from the guttering at roof level to the ground and only very few buildings using gargoyles were constructed.


In 1724, the London Building Act passed by the Parliament of Great Britain made the use of downpipes compulsory on all new construction.



Gargoyles were viewed two ways by the church throughout history:

Often gargoyles were used to assist the Church in conveying messages to the common people.


Due to literacy being uncommon, images were the best way to constantly convey ideas.


Gargoyles were used as a representation of evil. It is thought that they were used to scare people into coming to church, reminding them that the end of days is near.


It is also thought that their presence assured congregants that evil is kept outside of the churchÕs walls.


However, some medieval clergy viewed gargoyles as a form of idolatry.



Animal Gargoyles:

The ancient Egyptians, Greeks, Etruscans and Romans all used animal-shaped waterspouts.


During the 12th century, when gargoyles appeared in Europe, the Roman Catholic Church was growing stronger and converting many new people.


Some animals (such as the rhinoceros and the hippopotamus) were unknown in western Europe during the Middle Ages so gargoyles of these species (such as the ones at Laon Cathedral) are modern gargoyles and therefore did not have symbolic meaning in Medieval times.


Below is a list of some animals commonly used as gargoyles:

Lion, Dog, Wolf, Eagle, Snake, ....., Goat, Monkey, ...


19th and 20th Centuries

Although not designed to drain water and therefore technically not gargoyles, the grotesques on modern structures are still considered by most people to be gargoyles.


Gargoyles can be found on many churches and other buildings.


One extensive collection of modern gargoyles can be found in Washington National Cathedral in Washington, DC. The cathedral, begun in 1908, is encrusted with the limestone demons. This collection also includes Darth Vader, a crooked politician, robots and many other modern spins on the ancient tradition.


The 20th Century collegiate form of the Gothic Revival produced many modern gargoyles, notably at Princeton University, Washington University in St. Louis, Duke University, and the University of Chicago.



Note:

Grotesques are often confused with gargoyles, but the distinction is that gargoyles are figures that contain a water spout through the mouth, while grotesques do not.


This type of sculpture is also called a chimera. Used correctly, the term gargoyle refers to mostly eerie figures carved specifically as terminations to spouts which convey water away from the sides of buildings.


In the Middle Ages, the term babewyn was used to refer to both gargoyles and grotesques. This word is derived from the Italian word babuino, which means "baboon".



More:

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Post Image: http://bit.ly/LC2QbC



Mhd.Shadi Khudr's insight:


"The gargoyle often makes his perch
On a cathedral or a church
Where, mid eclesiastic style
He smiles an early Gothic smile"

Oliver Herford

http://bit.ly/1bgyhyB





Februus

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Februus is the Roman god from whose purification rites the month of February takes its name...


Hence the month of February was also sacred to Juno, the goddess of marriage, and she was therefore surnamed Februata, or Februtis. (Fest. s. v. Februarius; Arnob. iii. 30.)...


For the Etruscans, Februus was also the god of riches (money/gold) and death, both connected to the underworld in the same natural manner as with the better-known Roman god Pluto...


The name Februus is connected with februare (to purify), and februae (purifications). 


Another feature in the character of this god, which is however intimately connected with the idea of purification, is, that he was also regarded as a god of the lower world, for the festival of the dead (Feralia) was likewise celebrated in February...



Resources:

http://bit.ly/1fWykV6

http://bit.ly/LNoWaz

http://bit.ly/Nqh7cx

http://bit.ly/1bCDxwG

http://abt.cm/1fWyyLM



See Juno:

http://sco.lt/4p4QNd



Post Image: http://bit.ly/1iNCFJS




Cerridwen

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Cerridwen (Ker-RID-Wen) is one of the Old Ones, one of the great megalithic pre-Christian goddesses of the Celtic World...


Although, in her story, she embodies all three lunar aspects of the goddess, maiden, mother and crone...


Cerridwen is reognised for her Crone aspect, by and through her Cauldron of Wisdom, Inspiration, Rebirth and Transformation...


The cauldron has an intimate association with femininity, together with the cave, the cup and the chalice, and the association of femininity with justice, wisdom and intelligence goes back to very ancient times...


Like the Greek goddess, Demeter, and the Egyptian goddess, Isis, Cerridwen was the great Celtic Goddess of inspiration, intelligence and knowledge, and was invoked as a law-giver and sage dispenser of righteous wisdom, counsel and justice...


Ceridwen has the power to transform herself into many different creatures...


The cauldron of Ceridwen was magical in which she was creating a broth to make her terribly ugly son terribly wise. Gwion was charged with stirring it, but consumed some of the magical elixir.


Ceridwin pursued Gwion in a chase filled with metamorphoses. After she overcame him as a hen with Gwion changed into an ear of corn, Ceridwin ate him and then gave birth Taliesin, whom she sent away in a coracle...

http://abt.cm/1frLBkE



Supportive:

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http://bit.ly/M53dLw

http://abt.cm/1frLBkE

http://bit.ly/1dB3fWC

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See Demeter:

http://bit.ly/1dYeJiy



Post ImagE: http://bit.ly/1j2r36D




Indrik, The Russian Indrik beast, Indrik zver

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The Russian indrik beast most closely resembles a gigantic bull, at least the size of an elephant, with the head of a horse and a large horn protruding from its head...


The indrik beast, which gets its name from the Russian word edinorog, meaning "unicorn," is said to live on a legendary mountain known as the Holy Mountain or Saint's Mountain.


Depending on the region of Russia, the Indrik-beast's mountain is either completely uninhabited by humans, or only holy humans are allowed to set fot on its ground.


The Holy Mountain is presented as a fertile ground similar to Avalon or Garden of Eden in some contexts. In others, it might be considered a barren, rocky wasteland.


The indrik beast was said to be so large that the Earth shook when it walked.


This may have been a mythical explanation for earthquakes. Alternatively, it may have been used to emphasize the powerful nature of the animal as a symbol for the wilderness.


There are no current online references to the indrik beast's mythical diet.


In legends, it might have been said to be a carnivore like the Persian karkadann unicorn, or it might have been a large but gentle herbivore...


According to a legend, Indrik has rescued people from a drought...


So, the Indrik beast's legacy and spirit persist in our collective memory-- even as we advance our scientific understanding of the past...



More:

http://bit.ly/Mfifyq

http://bit.ly/MFFyCh

http://bit.ly/1l3dAyw

http://bit.ly/1mfAjWt

http://bit.ly/1d74zww



See Unicorn:

http://bit.ly/rBnzSy



Post ImagE: http://bit.ly/1fDCEF7




Nemean Lion, Léōn tēs Neméas, Leo Nemaeus, Leo Nemeum

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The Nemean lion plagued the district of Nemea in the Argolis. King Eurystheus commanded Herakles to destroy the beast as the first of his twelve Labours.

http://bit.ly/1pvdmAY


The first labor for the hero Heracles, was to rid the Nemean plain of the wild, enormous and extremely ferocious beast known as the Nemean Lion.


The hero cornered the lion in its cave and seizing it by the neck wrestled it to death. He then skinned its hide to make a lion-skin cape, one of his most distinctive attributes.


Seeing Hercules dressed in the lion's pelt, Eurystheus was so frightened that he ordered him to leave all his future trophies outside the city's gates.


He then had a large, bronze jar forged and buried in the earth. Thereafter, whenever Hercules approached, the cowardly Eurystheus hid in this jar and had a messenger relay his next orders to the hero.

http://bit.ly/1emOIyd


Hera afterwards placed the lion amongst the stars as the constellation Leo.


This huge creature was the son of the monsters Typhon (who had 100 heads) and Echidna (half maiden - half serpent), and brother of the Theban Sphinx, or alternatively born of the Chimera, in some legends it is said that the Nemean lion was suckled by Selene the goddess of the moon, other versions say that it was nursed by the goddess Hera...


The Nemean Lion’s fur is impervious to harm from normal weapons...



Resources:

http://bit.ly/1pvdmAY

http://bit.ly/1mI1mgP

http://bit.ly/1emOnvp

http://bit.ly/1jBt3mP

http://bit.ly/1fsx8Ez

http://abt.cm/1lmntHL

http://bit.ly/1mI1uNi

http://bit.ly/1hV4sMb



See Selene :

http://sco.lt/5JUFmr


See Hera:

 http://sco.lt/8psLvF



Post Image: http://bit.ly/1bN5DKN




Astghik, Astghig, Asya, Astghik, Astlik

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In the earliest prehistoric period Astghig, commonly referred to as Astlik, had been a patron for fertility, love, maidenly beauty, and water sources and springs....Later the skylight had been considered her personification, and she had been the wife or lover of Vahagn...


Her name is the diminutive of Armenian astġ, meaning "star", which through Proto-Indo-European *h₂stḗr is cognate to Sanskrit stṛ, Avestan star, Pahlavi star, Persian sitara´, Pashto storai, Latin and Italian stella and astro, French astre, Spanish astro, German stern, English star, etc...


Among all the Semitic beings which found their way into the Armenian pantheon, none attained the importance that was acquired by Astghik, especially in Tarauntis.


In spite of the presence of Anahit and Nana--two goddesses of her own type and therefore in rivalry with her--she knew how to hold her own and even to win the national god Vahagn as her lover.


It is now impossible to reconstruct the mythos that was at the basis of all this. It may be that we have here the intimate relation of a Syrian Ba'al to Astarte.


It may also be that the mythos is purely Greek and reflects the adventures of Ares with Aphrodite, for Astghik was called Aphrodite by Hellenizing Armenians...


Hoffman recognized in the Armenian name Astghik (which means "little star") a translation of the Syrian Kaukabhta, a late designation of Ashtart (Ishtar) both as a goddess and as the planet Venus. The latter is no more called Astghik by the Armenians, but Arusyak, "the little bride," which is an old title of Ishtar, "the veiled bride," and shows that the Armenians not only identified the planet Venus with their goddess Astghik, but were familiar with one of her most important titles...


In view of their essential identity it was natural that some confusion should arise between Astghik and Anahit.

http://bit.ly/NVtrRI



Supportive Resources:

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http://bit.ly/1kzzkCe

http://bit.ly/1osccmH

http://bit.ly/1e3b6J7



See Anahit:

http://sco.lt/99IKQr


See Ba'al:

http://sco.lt/90PkG1


See Ishtar:

http://sco.lt/5UPoMT


See Ares:

http://bit.ly/N38VL5



Post ImagE: http://bit.ly/1q8E2Ie





Bonnacon , Bonacon, Bonasus

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The Bonnacon is an Asian beast whose head is like a bull but his horns curl inwards so that they do not harm the victim.


Because these horns are useless for defense, the Bonnacon has another weapon. When the Bonnacon is chased he expels dung which burns a wide area.


...As the creature retreats it emits a trail of dung that would sometimes cover a distance as long as three furlongs, or approximately 3 acres.


Any contact with the creatures dung would scorch the pursuer like a sort of fire.


This napalm like excrement may have given rise to legends that the Bonacon also had the ability to breathe fire, much like the European Dragon, making this creature deadly at both ends...

http://bit.ly/1i6BBSQ



Further:

http://bit.ly/PlV0Fp

http://bit.ly/1h8nqdh

http://bit.ly/1kcG6Lv

http://bit.ly/1flWWqN

http://bit.ly/1g309qG

http://bit.ly/1itkHvR

http://bit.ly/1fR1BSR

http://bit.ly/1neEaa0

http://bit.ly/1neEju6

http://bit.ly/1i6BBSQ



Post ImagE: http://bit.ly/1kcHgGZ





Adar Llwch Gwin

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Adar Llwch Gwin are giant magical birds of Welsh tradition, belonging to Drudwas ap Tryffin, often equated with Griffins...


The name derives from the Welsh words llwch ("dust") and gwin ("wine").


Adar Llwch Gwin, given to Drudwas ap Tryffin by his fairy wife, could understand human speech; they would also perform all that he commanded.


In a contest with Arthur, Drudwas ordered the birds to kill the first fighter to enter the battlefield. When Arthur himself was delayed from entering the fray, the birds attacked Drudwas himself, the first to arrive, tearing his flesh to pieces...


In the poetry of the late medieval Beirdd yr Uchelwyr [Poets of the Gentry], the phrase Adar Llwch Gwin was a synonym for hawks or falcons and a metaphor for strong, brave men...



More:

http://bit.ly/1ntjjju

http://bit.ly/1gorHXE



See the Griffin:

http://sco.lt/8lUlzl



Post ImagE: http://bit.ly/1iPAHgk





Ashratum, Asherah, ṯrt, Ashratum, Ashratu, Asherdu, Ashertu, Aserdu, Asertu

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Asherah is a Canaanite mother-goddess, fertility, war and sea-goddess...


Several passages in the Bible may refer to the planting of a tree as a symbol of Asherah, or the setting up of a wooden object as an asherah—the Hebrew words for "tree" and "wood" are the same...


Asherah is identified as the consort of the Sumerian god Anu and Ugaritic El, the oldest deities of their respective pantheons. Other sources identified her as the consort of Baal.


This role gave her a similarly high rank in the Ugaritic pantheon. The name Dione, which like 'Elat means "Goddess", is clearly associated with Asherah in the Phoenician History of Sanchuniathon, because the same common epithet ('Elat) of "the Goddess par excellence" was used to describe her at Ugarit...


For reasons that are not clear she is associated with the sea and is often called "Asherah of the Sea." 


A number of allusions refer to Asherah though often her name is hidden by the translation "grove" instead of Asherah.


It might be that in that in the mythology that followed by the Canaanites in Palestine, Asherah and Anat had reversed roles.


It is apparent that the Canaanite tales were not uniform throughout all the Land of Canaan but that different groups had their own version of approximately the same stories...


Some accounts distinguish between Asherah, a Ugaritic mother-goddess who was the consort of Baal, and Asherah, a Canaanite mothergoddess...



Resources:

http://bit.ly/1h8JbYY

http://bit.ly/1gVFWrJ

http://bit.ly/1dd0gFA

http://bit.ly/1gdG9a1

http://bit.ly/1hSMpS2

http://ti.me/1iPo6qW

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http://bit.ly/1mnD4HB

http://bit.ly/1dm6kMm

http://bit.ly/1dC3OvQ

http://bit.ly/1f4KqIz



See Gaia:

http://sco.lt/7hb5KT



See Baal:

http://sco.lt/90PkG1



See Ishtar:

http://sco.lt/5UPoMT



Post ImagE adapted from: http://bit.ly/1iqd3Ui





Alphyn, Awfyn, Alfin

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Alphyn is a wonderful wolf creature featured in heraldry.


It sports a dragon's scaly underbelly and forelimbs, a long knotted tail, large pointed ears, and a thin, pointed tongue.


The Alphyn has a thick mane and long thin tongue. It also possesses a notable characteristic that is itsknotted tail, reminiscent of Celtic design and similar to that of the Griffin...


Sometimes it is depicted as having an eagle's or dragon's talons on its forelegs, other times they are cloven, like a goat's.


Occasionally all four feet are depicted as having the claws of a lion.


In English heraldry, the Alphyn was used as a heraldic badge of the Lords de la Warr, and also appeared on the guidon held by the knight in the Milleflour Tapestry in Somerset...


It is argued that this heraldic beast derives from an Arabic chess piece, the equivalent of the European knight of the chessboard.


The Arabic name for this piece is 'al-fil' and it is usually depicted as an elephant...



Resources:

http://bit.ly/1gIMMBf

http://bit.ly/1ojxnwe

http://bit.ly/1lyMbFl

http://bit.ly/1htxFvb



See the Griffin:

http://sco.lt/8lUlzl



Post ImagE: http://bit.ly/1i8WDhv





The Knights of Ålleberg

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Legend in Sweden has it that there is a huge cave deep inside Ålleberg Mountain where the 12 Knights of Ålleberg are lying in wait to march forth and save their country...


The last time they were seen is thought to have been at the Battle of Åsle in 1389, when twelve knights in golden suits of armour fought with Queen Margaret's army...


It is said that the entrance to the mountain cave is hard to find. Once, a farmer was taking a load of grain to the market in Falköping.


At the foot of Ållebergs Änne mountain he met a stranger who asked him if he could buy his load. The farmer went with the stranger and they ended up in the mountain cave where the knights lay sleeping, fully clothed and ready for battle.


The farmer bumped into a bridle, which made a noise. The knights woke up and wondered if was time to take up arms.


The man who had bought the load reassured them that they could sleep soundly on...


The legend is a version of the sleeping hero or king in the mountain...



More:

http://bit.ly/ORxyOR

http://bit.ly/1qK4vtd

http://bit.ly/1hze5PL



Post ImagE: http://bit.ly/1qp8tcd




Erchitu

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At one time in all countries of Sardinia, it was believed that men had made malvaggi (crime) during the night could be turned into animals and they came around to announce the death.


Generally transformed in Oxen and bellowed three times, before the door of the predestined, to resume human form again at dawn... As such the Erchitu can be considered as a 'wereox'...


The Erchitos can free themselves from their torment only when they encounter someone brave and strong, capable of extinguishing the candles in one puff, or capable of cutting the horns on the head with one precise shot...



Resources:

http://bit.ly/1kG0eHb

http://bit.ly/QinkIX



See werewolf:

http://bit.ly/GNvGkJ



Post ImagE: http://bit.ly/1kFZt0T




Charon, Kharon, The ferryman

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In ancient Greek , Charon or Kharon, the son of Erebus and Nyx,is the ferryman of Hades who carries souls of the newly deceased across the rivers Styx and Acheron that divided the world of the living from the world of the dead...


A coin to pay Charon for passage, usually an obolus or danake, was sometimes placed in or on the mouth of a dead person.


Some authors say that those who could not pay the fee, or those whose bodies were left unburied, had to wander the shores for one hundred years.


In the catabasis mytheme, heroes — such as Heracles, Orpheus, Aeneas, Dionysus and Psyche— journey to the underworld and return, still alive, conveyed by the boat of Charon...


The Etruscans of central Italy identified him with one of their own underworld daimones who was named Charun after the Greek figure.


He was depicted as an even more repulsive creature with blue-grey skin, a tusked mouth, hooked nose and sometimes serpent-draped arms. His attribute was a large, double-headed mallet...

http://bit.ly/1lP3vo0



Living persons who wish to go to the underworld need a golden bough obtained from the Cumaean Sibyl...


Given the fact that they need two trips, Charon charges significantly more... Several Greek and Roman authors wrote about traveling to the Underworld, usually with the assistance of an experienced guide. Dante, for example, wrote The Inferno, and the Aeneid by Virgil also features a trip to the Underworld...


Incidentally, for anyone concerned about paying the ferryman, his going rate in Ancient Greece was an obolus, a silver coin worth a sixth of a drachma. Since Greece has now switched over to the Euro, along with other members of the European Union, Charon would probably accept a Euro coin, and he may be open to other currencies as well.

http://bit.ly/1iNKPWi



Resources:

http://bit.ly/1lP3vo0

http://bit.ly/1nWbq5e

http://bit.ly/1rSzeVs

http://bit.ly/1g0WzyU

http://bit.ly/1iNKPWi

http://abt.cm/1i9QBQr

http://bit.ly/JzzV6H

http://bit.ly/1fINDUf


 

See Nyx:

http://sco.lt/6TlblJ


See Hades:

http://sco.lt/7GJ5Gr


See Dionysus:

http://sco.lt/94PYEz



Bonus:

http://riverstyx.com/



Post ImagE: http://bit.ly/1rSAN5K




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